№ 182

Apex Vert 182

air with a direction

discover ↓
04:47 · dawn
07:12 · canyon
Field Note #182 · 04:47

"Smoke drifts from the saddle. There are no stoves there."

April. After the night rain. Air becomes clearer than glass.

— № 182 —

You set out before dawn while the canyon still holds the night cold. Rain fell in the dark—and the air turned to glass: you can hear the drops dripping from pine needles onto stone. At the third turn of the path are someone else's tracks. Fresh, narrow, leading up. You follow them: lavender on the scree, a leaf rubbed in your fingers—bitter, green, almost citric. The tracks end at the stream. Ahead is only wet cedar, the warm smell of bark in the first sun, and thin smoke, though there has been no dwelling here for a long time. You stand and breathe. Downward, the tracks never returned.

— № 182 —

Opening

Cold bergamot and wet leaf — the first breath after night rain, sharp and glassy.

Heart

Sheer jasmine dissolves into green tea steam, barely touching the skin.

Drydown

Warm cedar barely touched, clean musk like morning skin — quiet, weightless.

08:00 · cliffs
09:15 · path
08:30 · mist
Opening
Top Notes
BergamotGrapefruitGreen Leaf
Heart
Heart Notes
Sheer JasmineGreen TeaFig Leaf
Drydown
Base
Iso E SuperAmbroxanWhite MuskCedar
Key Materials:Hedione HC · Iso E Super · Ambroxan · Habanolide · Cashmeran
Material Spotlight

Hedione HC

The molecule that creates the 'air' effect — a transparent jasmine whisper that floats above the skin rather than sitting on it. Without Hedione, the composition would lose its glass-like clarity.

“Snow still lay on the northern slope. The tracks led only upward.”

— from the field diary, №182
Apex Vert 182 Bottle№ 182 from the perfumer's notebook
10:03 · pine needles
11:30 · summit
Field Diary

12–22°C, morning after rain

soft morning light, spring/summer

quiet projection

specifications

Formula№ 182 · blended by hand
EditionSpring / Summer
Best momentMorning
WeatherAfter rain
LightSoft morning light
Temperature12–22°C
ObservationQuiet projection
— epilogue —

By noon the wind shifts, bringing from the depths of the canyon the smell of warm resin and dry earth. You find a spot where the stream disappears beneath the stones; the water here does not flow, but seeps through the moss, soundlessly. On a flat boulder by the water's edge lies a dropped folding knife with a broken blade—the steel darkened by dampness. You pick it up, it is heavy and cold. Around you smells of young pine needles, crushed lavender leaves, and something intangibly sweet, like wild honey of wild bees high in the cliffs. The sun is at its zenith, but the shadows under the pines remain blue and deep. You place the knife back, in the exact same spot, and turn back toward the valley. Dry cedar crackles underfoot.

— № 182 —
experience

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